Thursday, March 15, 2007
It's The Noticing Part That Makes You A Magician.
I admit that the essays at Witchvox often don't impress me, but Violet Sound has one up today that I think gets it just right. You should read the whole thing, but here's a taste.
What’s important? The beat, baby. It’s got to make you move. It’s got to make you groove. It has to be repetitive, but it can’t be so boring that you want to sit back down with your drink and wait for something better to come on. Not being musically inclined, I can’t tell you the magic equation that induces trance (although I’ve heard it’s 4.5 beats a second*) – I can only tell you to get out there and shake it until your thoughts fall away and the only thing that is left is The Beat, The Pulse, The Rhythm.
Go on, I’ll wait.
Dance as a sacred expression is not a new idea. (Walk like an Egyptian.) There are schools of dance that can trace themselves all the way back to temples, or to a bunch of drunk peasant folk boogying down to make the crops grow. And I am not the first person to feel that when she hits the dance floor she is GOD [sic] in platforms. I’m not the first person to invoke GOD [sic] in platforms, either. I remember dancing in utter exaltation of a certain deity, and then suddenly feeling His touch upon me, gently nudging my ego aside. I moved with Him, and He with me, and I wished it would never end.
“I offer this to you,” I’ve said, “as an expression of love.” And then I speak with my body.
Under the flashing strobe, surrounded by the pulsating mass of your fellow man [sic], you can feel Shiva’s dance of destruction through the floor. You can hear the raised voices of a thousand shamans in the background wail of an electronic track. You only have to open yourself to the idea.
Magic isn’t something you take out of the closet for special occasions. It isn’t present only in dark rooms with pentagrams chalked on the floor and pervy old guys in robes mumbling ‘ancient’ incantations and it isn’t solely in the undefiled glory of Nature; magic is alive and around you no matter where you are and whether you notice it or not. (Hint: it’s the noticing part that makes you a magician.)
So magic is in the disco. It’s in the raves held way out in the cornfields, in that gay club you dragged your conservative cousin to just because you felt like watching a dude dressed as Cher hit on him, in that concert you attended that made you feel like you were dying, in your basement when your stereo is cranked up to max volume and you’ve polished off a bottle of Jaggermeister.
Hell, magic could possibly be in a country and western bar, but I’m not brave enough to try and find it there.